Composition with Strings: From an Outsider's Perspective

When looking at Bach, Beethoven, or any of the greats one may ask:  How do composers write music for instruments they don't themselves play? Although a composer doesn't necessarily need to be able to play an instrument to a... [ view full abstract ]

When looking at Bach, Beethoven, or any of the greats one may ask:  How do composers write music for instruments they don't themselves play? Although a composer doesn't necessarily need to be able to play an instrument to a high standard, they do need to understand the mechanics of the instrument, its limitations and capabilities. This isn't really a matter of genius, just of study and knowledge. We will take a look at the measures I had to take in order to compose for strings. Being a voice major, I have found it much less complicated to compose for voice or chorus, whereas my understanding of classical instruments is much different and poses a more difficult challenge. Composition is not only about the player of the instruments, but the conductor as well. Dynamic markings, melodic stress, score interpretation, and many other things play a big role in the art of composition. I will be discussing the challenges I have faced as I left my comfort zone. This presentation will embody the Ribbons; Thinking Critically, and Developing Creativity, by discussing the composition process and difficulties found within composing with instruments I do not play myself. There will then be a showcase of the piece composed, that will later be played by the Adrian College string ensemble in a concert on April 6th and 13th.